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Mixing GrooveGrass with the UAD-1
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Scott Rouse
& Bootsy Collins |
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Nashville producer Scott Rouse really mixes it up - mixing
bluegrass with blues; mixing analog with digital. His latest
projects involve bluegrass giants Doc Watson, Del McCoury,
Mac Wiseman and chief funkateer and space bass master Bootsy
Collins - together known, tongue firmly in cheek, as the GrooveGrass
Boyz. His tool of choice? The Mackie UAD-1, running digital
emulations of the classic Universal Audio 1176LN and LA-2A
compressors.
Producer Rouse is a man with excellent timing. During his
days at the Berklee College of Music, he spent much of his
class time in demand at Mission Control, ground zero for the
first wave of boy bands , New Edition and New Kids on the
Block. He made his move to Nashville just in time to ride
the country music rocket. One act alone made him the hot ticket
in town - it was Rouse's call to mix a relatively unknown
comedian with music. That project put Jeff Foxworthy and Scott
Rouse on the map. He returned to his bluegrass roots - Rouse
grew up around Doc Watson - just as the "O Brother, Where
Art Thou" phenomenon caught on. Not content to take the
straight path, Rouse has earned his moniker, dubbed by Rolling
Stone Magazine "the most dangerous man in country music"
with his latest foray, his trademark blend of hardcore bluegrass
and hardcore funk he calls GrooveGrass.
Rouse has long been a devoted user of the classic Universal
Audio hardware. "You just don't do records without an
LA2A or a couple of 1176s before you get to tape. You never
mix a record without an LA-2A - at least I never have!"
When Rouse began working with Pro Tools, then Nuendo in recent
years, he still kept his trusted UA hardware in the chain.
When he heard about the UAD-1 card and the vintage plug-ins
he was unimpressed, assuming they'd be more cool looking,
but ho-hum sounding plug-ins. His friend and fellow producer
Travis Wyrick convinced him by bringing a card to Scott's
studio and installing it. His reaction was instant, "Holy
smokes, where do I get one? It sounded the way it should,
it sounded real. That's what floored me and that's what everyone
who's heard it says."
The Mackie UAD-1 and Powered Plug-ins are ideally suited
to Scott Rouse's production style and particularly appropriate
for the GrooveGrass Boyz. One GrooveGrass CD has been released
(GrooveGrass 101, Warner's); another (GrooveGrass 2.5) is
on the way and a Bluegrass Christmas CD featuring Doc Watson,
Del McCoury, The Osborne Brothers. Mac Wiseman, and Ronnie
McCoury is in production now. Says Rouse, "The card is
so important to the sound. The 1176s sound like the old school
real thing. We're able to capture the analog acoustic material
and Bootsy's gritty funk sound - it gives us the best of a
warm analog acoustic and that funk grit. What's so great is
that we've got everything we need - we've got more 1176s packed
into this card than you could ever haul around, and we can
even use the LA-2As in stereo! I've never used any computer-related
product that was so easy to install - in less than a minute
we were up and running. And it just sounds so right."
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