on a Classic
We designed the original SR24•4
and SR32•4 to be the best value 4-bus live sound mixers ever offered.
But being basically insecure, we decided to make them even better. The
VLZ Pro versions include:
- XDR mic preamps with 60dB gain range, 130dB dynamic range,
192kHz bandwidth, 0.0007% THD
- Best RFI resistance of any compact SR mixer in the galaxy
thanks to advanced DC-pulse transformers.
- New ultra-high-performance 2068 op amps for incredibly
low noise and distortion
- Improved cooling for even greater thermal protection in
VLZ PRO 24x4 bus mixing console
On stage (or in the studio), XDR
microphone preamps and VLZ®
give these mixers fantastic headroom, astonishing fidelity
and an absolutely subterranean noise floor. The SR24•4-VLZ
PRO and SR32•4 VLZ PRO also have main and submix amplifiers
that use our distinctive negative gain mix architecture, which
provides double the mix
headroom of conventional designs.
Four buses make live mixing a breeze because you
can submix groups of inputs and then control them with one
fader – for example all of your background vocals or all
your drum mics.
The SR24•4-VLZ PRO has 20 mono mic/line channels
with XDR mic preamps PLUS two special line level channel strips.
The SR32•4 VLZ PRO has 28 XDR-equipped mic/line channels
plus two special line level channels.
VLZ PRO 32x4 bus mixing console
on the SR-VLZ PRO Series mixers is very versatile. Besides
the fact that our Hi and Lo shelving EQ are centered at useful
frequencies – 12kHz and 80Hz, respectively – the
SR24•4-VLZ PRO and SR32•4-VLZ PRO have sweepable
midrange EQ (on mono channels). You can center the midrange
anywhere from 100Hz to 8kHz, low enough to use as a second
low frequency EQ, and high enough to use in the high frequency
range. (Stereo channels on both mixers have 4-band EQ, with
12kHz and 80Hz Hi and Lo shelving EQ, and two fixed mids at
3kHz and 800Hz.).
And a low cut
filter (on mono channels) centered at 75Hz allows you
to cut out mic thumps and wind noise that can enter your mix
and rob you of amplifier power.
The SR-VLZ PRO Series mixers have six aux sends
per channel, with the flexibility to handle multiple chores
at once. Two of the aux sends are pre-fader, so you can use
them for monitor sends during a live session. Two other aux
sends are post-fader, which you would want for effects during
studio tracking and mixdown. But get this: the final two aux
sends are switchable to pre- or post-fader! So you can have
4 pre-fader aux sends, or 4 post-fader aux sends, whenever
you need them.
Along with great channel EQ, SR-VLZ PRO mixers
come with factory "Air." This peaking EQ circuit, centered
at 16kHz, enhances guitars, vocals, percussion, whatever,
giving a gentle "lift" to the extreme high end. The result
is extra detail and fidelity in the high end. Sound On Sound
magazine said about Air: "[The] Air controls turned out to
be far more effective in adding top-end clarity than you might
first imagine – it's almost an 'exciter' kind of effect,
but without the harshness."
When you put all of the SR-VLZ PRO Series' features
and enhancements together, you'll have two highly-affordable
sound reinforcement mixers with what it takes for both live
and small studio applications.
- Premuim XDR mic preamps (20 on the SR24•4 VLZ PRO,
28 on the SR32•4 VLZ PRO)
- 4 submix buses
- 6 aux sends (2 pre, 2 post, 2 switchable
- 3-band EQ with sweepable mids (4-band fixed EQ on stereo
- 75Hz Low cut filter on all mono channels
- "Air" EQ on sub buses
- Talkback section with level control, LED, and separate
rear XLR input
- "Double-bused" sub outs for eight track recording without
- Inserts on all mono channels and subs
- AFL/PFL solo on all channels (globally switchable)
- 60mm log-taper faders
for consistent fades
- Balanced XLR and 1/4" main outputs
- Additional mono XLR main out with level control
inputs and outputs (except phones,
- Built-in power supply
- 12V BNC lamp socket
Section| Rear Panel|