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Note: The MS1202-VLZ evolved to the 1202-VLZ PRO. The information contained here pertains to the lesser/discontinued product and is for reference only.
The MS1202-VLZ has recorded symphonies and
audiophile acoustic guitar albums, done network television and radio broadcasts,
and more. Why? Because it is a Mackie. That means features, reliability,
and affordability. And in the case of the MS1202-VLZ, ultra-compact-ability.
 We call the MS1202-VLZ the "Swiss Army Knife®" of compact mixers because of its many uses. Some people use it as their only mixer in a small studio or multimedia/video post
suite. Big name producers and engineers use them for their high quality mic preamps -- they've got the headroom and low noise characteristics of those on very expensive mixing consoles (or as the
British call them, "desks"). Quiet enough to record audiophile discs, the MS1202-VLZ makes use of Mackie's VLZ® circuit design, just like all of our compact mixers.
Other features of the MS1202-VLZ include: 3-band EQ, Mute/Alt 3-4 for
an extra stereo bus on a 2-bus mixer, low cut filter on mic channels (1-4) for eliminating mic thumps and wind noise from your mix, Control Room/Phones matrix for routing flexibility, balanced inputs and outputs (except headphones, channel inserts, and RCAs), and balanced XLR main outputs.
If you're looking for a compact mixer that packs an impressive punch, the MS1202-VLZ is it.
- 4 high headroom/low noise mic preamps
- Low cut filter on mic channels (1-4)
- 3-Band EQ (12kHz, 2.5kHz, 80Hz)
- Mute/Alt 3-4 for extra stereo bus
- Control Room/Phones assign matrix
- Balanced inputs and outputs (except inserts, phones, RCAs)
- Balanced XLR & 1/4" main outputs
- VLZ® circuitry for low noise and dynamic programming
- Built-in power supply
- An "audio toolbox" for all applications!
Channel Strip| Master Section| Input/Output | Specifications
Note: The MS1202-VLZ evolved to the 1202-VLZ PRO. The information contained here pertains to the lesser/discontinued product and is for reference only.
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Mic preamp (channels 1-4)
Line input (channels 1-4) (balanced/unbalanced)
Stereo line inputs (channels 5-12, can also be used as mono inputs by using L only) (bal./unbal.)
Low cut filter switch (channels 1-4)
Trim control (channels 1-4)
Aux Sends 1 & 2 level controls
12kHz Hi shelving EQ
2.5kHz midrange EQ
80Hz Lo shelving EQ
Constant-power pan control
Mute/Alt 3-4 switch
Solo switch (pre-fader)
Gain control
Headphones jack
Aux 1 master control
Aux 1 pre/post fader switch (global)
EFX To Monitor switch
Aux Returns 1 & 2 master controls
Power LED indicator
Source assign matrix (Main Mix, Alt 3-4, Tape)
Assign To Main Mix switch
Left-Right meter LEDs
Level Setmarker
Rude Solo Light LED
Control Room/Phones master control
Main Mix master control
Stereo Aux Returns 1 & 2 (balanced/unbalanced)
Aux Sends 1 & 2 (bal./unbal.)
RCA tape inputs and outputs (unbalanced)
1/4" TRS main outputs (balanced/unbalanced)
Power cord (IEC) and fuse
Power switch
Phantom Power switch
L-R XLR main outputs (balanced)
Main output level switch (mic or line level)
Control Room L-R outputs (balanced/unbalanced)
Alt 3-4 outputs (bal./unbal.)
Channel inserts (channels 1-4) (unbalanced)
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