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Channel StripThe Assign Section

Pro Tools 4.1 is a "soft" environment where a new channel can start without DSP or sends. The HUI Assign section is where internal mix bus and physical hardware I/O assignments are made. V-Pot assignment control includes SENDS A through E, PAN, and channel/bus INPUT & OUTPUT.
A dedicated 4-character LED strip SELECT ASSIGN displays the current V-Pot or I/O assignment.

The Channel Strip

Any channel strip in Pro Tools 4.1 can be configured as an aux return, a group or main master, or a plain ol' channel strip. You can configure Pro Tools' "soft" channels on HUI's eight hard channels (up to as many as your DSP and channel cards can handle). Then "scroll" through them at lightning speed via bank and channel selectors.
LED display. Meters reflect channel strip digital dB FS (full scale) levels with 0dBfs max. When the channel strip is in stereo mode, the two LED ladders indicate separate left/right levels.
REC/RDY is a track record toggle.
INSERT calls up the DSP Plug-Ins on a channel and is also used for plug-in bypass in tandem with (you guessed it) BYPASS.
V-Pot™ and V-Pot™ function selectors. Channel strip V-Pots™ are either PAN (default) or an aux send (one assigned at a time) Channel V-SELs act as send mute, pre/post, and assign toggles.
AUTO toggles automation modes, relative to the AUTO ENABLE and MODE as defined in the switch matrix or on screen.
SOLO
& MUTE are the standard mixing functions.
"Scribble" strip. Think of it as endless digital masking tape! Because Pro Tools 4.1 does not have numbered channel strips, HUI has a "soft" 4-character LED display that shows a truncated version of the channel's title, or status of grouping, routing, and other parameters.
SELECT chooses a channel for editing, grouping, automation, assignment, routing, DSP, decaf, or leaded.
Eight Touch-sensitive 100mm faders. Even in full motion, the conductive sliders respond immediately to touch control bypassing the need to press a separate enable or disable button. The fader motor uses a high-resolution, tightly-tuned servo amplifier to reduce annoying fader chatter. The default resolution is 9 bit. Fader life is dramatically extended with a long-wearing, conductive plastic fader track.
Because automation is customarily done in "passes," eight faders are considered the maximum that can be physically manipulated at one time (unless you have an octopus for an assistant).

 

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