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June 28, 2006

Carlton-Ford

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So this good friend calls the Deke and asks if he'd mind drving Larry Carlton and Robben Ford from their hotel to Saratoga's beautiful outside stage at the Montalvo Center. This leads to listening to both guitar deities do a rousing sound check for the benefit of the soundman and one guy in the audience . . . me. Talk about spoiled. I took a shot of the band's 1604 VLZ Pro, forgot to shoot the SRM450's being used as monitors, and well, had a fantastic time listening to two of the best pickers in the whole wide world play the most amazing stuff.

The best news? A live album will be released after this tour. Can't wait!

And now for the tour mixers of choice . . .

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June 23, 2006

Spinderella—One Wicked Stepmutha

Spinderella.jpgWhen Spinderella Spins, She Spins Mackie

Spinderella is without question one of the true pioneers of hip-hop music. Best known as the DJ for Salt ‘N’ Pepa—whose hits like “Push It,” “What A Man,” and “Shoop” showed the world what three women with a beat and a plan could accomplish—Spin has been there, done that, and is still running the show.

After co-writing the hit single “None Of Your Business,” Spin gained inspiration to pursue her writing and production talents. Now she and co-host DJ Mo’Dav can be heard via the syndicated Superadio show The Back Spin, which airs in six markets across the country. Armed with her new Mackie d.2 mixer, Spin is poised to take her game to the next level. Here’s what she had to say.

Hey Spin, It’s Mackie waking you up!

Finally we get to talk! (laughs)

I’M IN TROUBLE ALREADY! I EXPECTED HER TO BE HALF ASLEEP—A PLIABLE VICTIM FOR THE CRASS, COMMERCIAL MANIPULATION I PLAN TO UNLEASH!

What do you think of the d.2? How’s it been treating ya?

Its been really good! Its beautiful, and everybody that comes by—all my DJ friends—are like “Yo! That’s the new d.2!” But I’m like, “hell no! Get up outta here and don’t touch my setup!” It gets people excited, cuz it’s so pretty (laughs), and it really works for me.

I do my syndicated show radio show with it. I use it to record

On Lip Service?

Oh no! Lip Service is waay old… I used to do that for MTV!

DAMN THESE ONLINE BIO’S TO HELL!

Just testing, Spin… I want to make sure your on the ball here for Mackie!

For the last five years I’ve been doing I have a syndicated radio show called Backspin. Its old-school hip-hop and, rock, funk—you know, the classics. It plays all over on Friday nights. It’s a lot of fun and I love doing it! I host, produce, and DJ the program along with my boy MoDave.

What does Spinderella like about her d.2?

Umm… I’m a fader person, and I just love the feel of the fader crossfader, the way you can set the feel—it just feels right!

You know, our staff of experts had just that in mind!

(laughing) It makes me nicer as a DJ—it really does! It feels like I’m kinda cheatin’ up there because that fader feels so good!

Better mixers ain’t cheating Spin, It’s technology in action!

Oh yeah! All the other mixers I’ve used weren’t this kind to me–ya know what I’m saying—but this one, I’m pretty nice with it!

GIVE YERSELF SOME PROPS, GIRL! YER SPINDA-FREAKIN’-RELLA!

Miss Spin, You have never failed to impress, even without a d.2!

Why, Thank you! But I’ve improved a lot. What’s interesting to me about DJing is that the way you perform depends on what aspect of the art you’re doing. I was a soul DJ with Salt ‘N’ Pepa, but being on radio and doing mixes and recording—doing parties, it keeps you aware of the cutting edge.

I spoke on the phone with that guy who did the d.2 launch party—that guy who was doing all the hot scratches?

DJ Rocky Rock?

MY GOD! THE TIE-IN TO ROCKY”S INTERVIEW MAKES ME SALIVATE! A CROSS-MARKETINGASAM SURE TO MAKE MY EMPLOYERS LOVE ME.

Yeah! I was so in awe of his skills. He hit me up and asked me how my d.2 was working out. I was like “oh my god, I wanna learn from you! (laughs hard) I was like “Damn! This dude knows all of it—he knows how the setup goes!” So he let me stand behind him while he was doing his thing.

What did you learn from the champ?

Rocky Rock and those guys really focus on what they are doing— and they don’t stop there, they keep going they look for every nook and cranny of the art to explore.

YEAH— JUST A SANDWICH IN THE MORNING AND HE’S GOOD TO GO!

So, Is the d.2 worthy of Spinderella?

At this point, I haven’t even explored all it can do! I haven’t even gotten into the Firewire, but I know DJs who can totally get in there and utilize it to the fullest extent of what it can do, but even just as a straight mixer, it’s the best.

I like the way it maneuvers, the EQ—I love the extra click in the transform switch, and that you can make them work up or down, or left and right—it’s crazy.

How did a girl like you wind up in a business like this?

I got my start, lets see… I was in high school and my boyfriend was a DJ and I just hung out and helped him with his records. Then one day we were in his room—and we wasn't doing nothing, mind you… (laughing)

HMMM—SPINDERELLA IS MOST CHASTE!

…and I was just talking to him about something. I just started scratchin’ while I’m talking to him—you know, just in passing conversation, and I’m like “that girl said)…(makes jigga-jigga scratching sound) “and why is she messin with me?” (jigga-jigga). and he says “wait a minute—shut-up! Let me hear”. Then he was like “let me hear you do this” and “let me hear you do that”, and from then on, I just took off. I loved music, my dad played music when I was a kid and everybody had a DJ at the house parties and I was just around it a lot.

Well, it must’ve sunk in!

Next thing, Salt ‘N’ Pepa were looking for a DJ and I auditioned and got it!

SOME GIRLS HAVE ALL THE LUCK!

Yeah, I was instantly on big tours and my first show meant a lot. I was so freakin’ scared in front of like hundreds of people. It was when Salt ‘N’ Pepa were just hitting the scene in a huge way. When it was time for me to drop the record, and I was just so scared I froze! (laughs).

So how does the hip-hop community treat their lady DJs? Ever get disrespected just because you’re a woman?

Well, back then, yeah, but I always held my own, and I’ve definitely grown as a DJ since. Nowadays, it’s a great thing because female DJs are in high demand!

Seems that an awful lot of models have become DJs…

Well, yeah there’s girls like that—really nice with it, and it’s really cute—but at the end of the day can you really rock a party? Can you keep a crowd going? Can you keep the feel of the music together? That’s the bottom line… I don’t care what ya look like.

Well, I have to tell ya Spin, you’re damn fine yourself!

I’m lucky! I dunno… I guess I get it from my mom (giggles). I come from a family of beautiful women and we all have it—inside and out!

June 22, 2006

Tape Op Travels to Tucson

Sunset.jpgIt's hot in the desert. And how.

Held at El Conquistador Golf and Tennis Resort in Tucson, AZ, the scene was set for an event that would be both restful and educational for all involved. After all, it’s easy to relax and share info with the top names in the business when the alternative to an air-conditioned conference room is a 106-degree desert… Yet nights were mild and the energy of the event was enough to keep everyone’s spirits high and inspired.

TapeOpTable.jpgSurrounded by a host of other audiophiles and top-of-the-line brand names, Mackie chose to show off newbies like Satellite remote/desktop I/O and Onyx 1200F as well as old standards like Big Knob, in charge of sending signal from Tracktion 2 to a pair of HR824s for the room to enjoy. As to our display’s success, thanks also to Shure, Latch Lake, and Ultrasone for the use of a mic, locking stand, and headphones (in that order) so people had the opportunity to listen our first-rate Onyx preamps.

Laz.jpgBack to Tracktion, we also co-presented a recording and mixing Seminar with Michael Arafeh from The Coffee House out of Middletown, CT. Here attendees picked up both the ease-of-use and benefits of products like Mackie Control Universal and C4 Controller as well as the functionality and integration of Tracktion 2 and its bundled plug-ins for various applications. Thanks again, Michael, for your time and talent!

Onyx 1620s ran sound in a number of other presentation rooms and even the DJ event that closed out the show on Sunday night was pumping poolside through a pair of SRM450s.

I will say that the desert is hot in June –in the same way that water is wet year ‘round- but hosting this event elsewhere next year ought to be out of the question. Between talking with notable show attendees and exhibitors alike, spending time in the hot, hot heat outdoors next to the pool, and watching people’s eyes light up when they saw what the Onyx 1200F can do in just two rack spaces, I can’t think of a better place to be some 360 days from now.

Till next time,
Matt Redmon
Product Specialist

Mackie in the Big Apple

Tony Gavilanes, Guitar Center tour: MA, RI, CT, NY, NJ
5/22/06 – 5/26/06

Tony-in-NY copy.jpg With all the musicians on the east coast making new and exciting music, there is a music store to keep up with their demanding needs for quality gear. Brian Martin (SMT) and I hit eight Guitar Centers in the time we spent touring the great American states of Massachusetts, Rhode Island, Connecticut, New York and New Jersey, and I met an array of people who all had one thing in common: momentum. The one thing that an east coast musician can't deal with is sub-par equipment that slows their craft. I was fortunate to have visited some of Guitar Center’s most prolific stores and meet all-star salesmen to see how and what was getting into the hands of this generation's musical revolution. The Manhattan store hosted one salesman that rivaled entire stores’ sales margins, so we can assume that some of the industry's biggest acts are shopping here. The fact is that there is a whole lot to choose from and it takes both an educated salesman and an educated customer to be able to fit the right gear for the purpose. Fortunately for everyone, Tony the "info guy" rang the bell because school is now in session!

Mackie Blog 5/22/06 – 5/26/06
Tony Gavilanes Guitar Center tour MA, RI, CT, NY, NJ


All in all Brian Martin (SMT) and I hit eight Guitar Centers in the time we spent touring the great American states of Massachusetts, Rhode Island, Connecticut, New York and New Jersey. I was fortunate to have been in these particular stores because some of Guitar Center’s very best salesmen work in these locations. For example, the Manhattan store hosted one man that rivaled many stores’ margins. This intimidated some of the newer employees of these GC stores, but never fear! Tony the Product Specialist was here!
I was able to spend up to four hours in each store and often times with a single salesman, which turned out to be quite the advantage. Most of the salesmen that I spoke with were newer employees who have had a considerable amount of experience in the field of audio, but deeply lacking in specific and general product attributes of their market. I have found that making a habit of spending at least fifteen minutes in every music store I go into to familiarize myself with competitor products is the easiest way to compare specs and prices and learn about the different technologies. I ended up strolling the store picking up everything in it – they’re museums unless we actually play with the stuff people!
But as far as Rioux from the N. Attleboro store is concerned, Mackie is “the best company out there.” He was so impressed with the Mackie ideals and feature sets that his frantic notes could spec out an entire studio recording system with Mackie gear, with the principal interface being the new Onyx 1200F. Unfortunately I never saw any of our Onyx rack-mount interfaces at any of the GCs Brian and I visited, so Rioux might have to hit up his Internet resources for that piece as soon as it is released.
Brian and I made sure that every Ampeg tower was fully operational at every stop, so if you’re in the states that we hit, go test out some SVT tube amps and boxes. I almost wish that we could hard-wire the towers because they’re so confusing to musicians who haven’t worked with them before. Nonetheless, they are great ways to quickly test and match amps to speakers and get your sound down.
And on a side note, if you’re ever in Brooklyn near Bedford Avenue, go and get some of the specials at Diner. We had pork cuts in rhubarb chutney with Brooklyn Lager. Be merry gentle folk!

June 15, 2006

Fisher Pal's Hot Rod Big Knobs

Kevin Fisher.jpgOne of our favorite customers, singer Songwriter Kevin Fisher , reports a buddy who runs studios in Nashville and New York uses two Big Knobs to send real time signals between the two studios via phone lines and Nicecast, which streams audio. Says FIsher: “It's pretty damn cool and I thought you'd want to know.”

Check out Kevin's site for a funny take on working your butt off to succeed in the music biz. You'll see why the talented songwriter deserves every bit of success he enjoys.

June 09, 2006

Not To Be Missed !

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This site is for nominally people excited about making or recording music. We shouldn't say discouraging things. So when the Deke says anyone needing that last little bit of encouragement to never pick up the guitar again is encouraged to attend a particular concert, rest assured it's a compliment. That's how 1604 VLZ Pro user Larry Carlton's virtuosity affects the Deke. He plays at a level so far beyond most players it's sort of astonishing. To make matters worse, Larry will be sharing the stage with another player blessed with "howz he do that?" kind of virtuosity, Robben Ford . The Deke predicts seeing these two perform together will be much like DaVinci and Picasso both answering a Craig's List ad to paint your house. It doesn't seem possible but whatever the price, we're paying.

Will they perform near you? Check Pollstar.com .

June 07, 2006

Interview with D.2 user My G

In addition to his world-class DJ, mic handling, and production skillz, MYG (pronounced My-G) is the founder and CEO of his own label and studio named Indamix, where he oversees all engineering, licensing and business operations. MYG took time away from his busy touring and production schedule to talk with Mackie about his experience with the new d.2 DJ mixer. Check out the Indamix website at Indamix Records to keep up with his latest drops.

D.2 Mixer

You’ve been using the d2 mixer for a while, what are your thoughts?

I love that mixer, its definitely pro-audio level, and I think it’s the best mixer I’ve used—and I’ve used a lot. I’m definitely digging the Firewire connectability. I can use it directly with Serato, or record directly into another mix from an iPod. It’s definitely a new step in mixer technology.

How do you use it?

Well, I’m basically using it with Serato Scratch Live and a laptop, so its really nice because I don’t have to hook up all the cables from the Serato box and eat up inputs on the mixer. I just put the Firewire into the laptop, and boom—I’m ready to roll.


Is the sound quality there for you?

Oh yeah, its definitely there!

As a mixer, does it hold up?

Yeah, the crossfader is nice and loose, which is great for scratching. I like the feel of the transform switches, and the ability to position them depending on your personal style is dope. The EQ is incredible, it lets me completely kill any band—all in all it’s a work of art to me.

Is the d2 going to be your main mixer from now on?

Definitely! The first time I tried it, I knew it was gonna be my main mixer—I love it!

Are there any features you wished it had?

Ummm… It has every function I need—there is nothing more I would ask for.

How does it work for you live and in the studio?

I just got off a tour and I used it the whole time. I DJ’d everything from the huge Snowboard World Jam in Mammoth CA in front of over 10,000 people, to an afterparty for a Vann’s skateboard contest, and it really held up to all the abuse that a long tour throws out—which is more than I can say for some other mixers I’ve used. Everybody was trippin' on it cuz they had never seen anything like it. I shared it with some other DJs, and they really dug it as well.
I’ve been too busy touring to use the d.2 in the studio, but the first chance I get I’m gonna give it a workout there too.

You have some other Mackie gear, don’t you?

Yeah, I have a 24.8 analog 8-bus. The 24.8 has been a real workhorse for many years and I really love it. I’ve recorded bands and mixes and all sorts of stuff with it. Now I use it with a digital/analog converter box to track, and do all my mixing in the computer. The 24.8 really helps warm up the digital stuff. I’m really excited about that new dXb—I wanna check that thing out! I bought a ProTools HDII system for my studio and I hear the dXb hooks up great to it.

Is there any other Mackie gear you have your eye on?

I wanna get some HR 824 Studio Monitors. I’ve mixed a lot of projects on those monitors, and I’ve always loved the sound—especially the low end. I need to get me some of my own!

Any last words?

I love Mackie—I’m a huge fan. The stuff has never let me down and I’m always hyped to see a new Mackie product.


June 01, 2006

A Trip Through The South

bailey 1.jpgMy trip through the south started on a Monday and ended on a Saturday. During that time Mackie DSM Jeff Lyon took me from New Orleans to Birmingham, where I gave Mackie product training to several stores. I met many great people and heard a lot of interesting stories in a region that is as diverse as the music and culture that makes it famous. The first two days put me at three different C & M Music stores in southern Louisiana. The employees in each location were anticipating the training and were full of questions that I was happy to answer. I even learned some new tricks myself. During the hottest days of the summer, the heat and humidity in the south can wreak havoc on all powered speakers. In fact, the guys at C&M clip a portable fan to the back of the speaker. After all, there is no substitution for quality sound and Lafayette’s Randy K and his band want to use their SRM 450 active speakers… in any condition.

While in the gulf region I witnessed the massive rebuilding process underway in the short time after the hurricane. I was happy to see the industry back on its feet and doing well.

Time to hit the road.

I pulled into Birmingham right about the same time the city watched a certain local IDOL win it all on that one TV show. The excitement didn’t end early in the morning when I visited Long’s Electronics . I gave Mackie product training to several groups that had all levels of experience. I enjoyed taking some of the employees who had no previous experience through the signal chain of the Onyx small- and mid-format mixers. They were eager to learn the process and excited about the quality and additional features of the Onyx line. Long’s Electronics was full of great people who gave meaning to the term “southern hospitality”. We laughed, we cried, we ate doughnuts and talked about Mackie gear. It was a good day.

Friday morning Jeff and I headed to our last stop, Bailey Brothers, near the Five Points area of Birmingham. These guys were sharp and the training went well. I focused on our high quality Onyx mixers, Tetrad passive, and SAz active speaker lines. I also showed them some new gear like the M Series amplifiers, and the Quad EQ and Quad Gate/Compressor. I even had some time to show them the new Onyx Satellite. After the training I talked to Gary M about some of our new gear and the Tetrad speakers for his band. He was interested in the power handling and 75-degree splay angle, perfect for a band that tours with their own system. The employees at Bailey Brothers were experienced and have been using Mackie gear for years. After seeing the new lines they were ready for more.

My work was complete so I checked out the town that night. Birmingham was fun, but it was time to leave. I caught a plane Saturday afternoon and headed back to Seattle. My week in the south was a great experience and I enjoyed training the employees on Mackie gear and giving the local stores the factory support they need. I look forward to my next trip through the south.

-Dallas Dougherty product specialist

 

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