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September 27, 2006

MACKIE HELPS STURGIS THROW A PARTY FOR 650,000 OF ITS CLOSEST FRIENDS

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The Dan Lawson Band & Mackie's S400 Series Loudspeakers On Stage at the Sturgis Motorcycle Rally, SD

"The musicians and the technical crews have all been so happy to find out they’re playing through Mackie gear, and even people in the audience, they see the Mackie banners and so many of them know the name is synonymous with great sound." Kevin Karns, the Buffalo Chip, Sturgis.

logo_1.jpgThe Sturgis, SD motorcycle rally has been an annual tradition for nearly seven decades, but it wasn’t until the Buffalo Chip came along that it really kicked into high gear. It was toward the end of the 1970’s when Rod “Woody” Woodruff, a local attorney and fellow Harley owner, invited revelers to camp on a portion of his 500 acres on the outskirts of the town.

Twenty-five years later, the Chip has become a legendary part of the Sturgis gathering, with Woody and company inviting several hundred thousand of their closest friends for a nine day long party with music, food and plenty of room to ride. Far from a stereotypical outlaw biker rally, though, today’s attendees are just as likely to arrive in high-end motor homes with several custom Harleys in tow.

concert crowd5.jpgAs the Sturgis Rally has gained in popularity and renown (recent years have seen attendance figures in the 600,000 range and beyond) the Chip has evolved into the epicenter of the event, with entertainment on multiple stages this year featuring a roster that included Kid Rock, Gretchen Wilson, Montgomery Gentry, Lynyrd Skynyrd, Ted Nugent, Edgar Winter, Billy Idol, Foreigner, George Thorogood and the Destroyers, Blue Oyster Cult, The James Gang, David Lee Roth, Alice In Chains and Buckcherry.

monte1.jpgThis year, the numerous stages also featured high-end audio systems featuring a selection of the latest Mackie Active and Precision Passive loudspeakers, as well as numerous Mackie Onyx Series and CFX Series mixers. Mackie Active models were a mixture of the flagship SA-Series, as well as plenty of Mackie’s popular SRM-450 and SRM-350 models. SWA Series Active subwoofers were also on hand providing low-end punch.

In addition to the Active models, Mackie’s new Precision Passive loudspeakers were on hand, including the range-topping S408 two-way boxes, as well as several of the the powerful S410s subwoofers. Amplification for all passive systems was provided by TAPCO Juice Series amplification.

“Back when we started out, I didn’t know anything about sound systems,” Woody recalls. “We just had a pasture with a three-strand barbed wire fence. We’d chase the cows out, build a fire, and over time we brought in a tent and generators, invited some musicians, brought in some tables for a stage, and gradually added improvements. But these days we’re entertaining more than half a million people, and we want to give them the best experience possible.”

Sturgis stage.jpg“When people heard that Mackie was being used this year, the reaction from everyone, musicians and management alike, was really positive,” reports Kevin Karns, who works with Woody to book entertainment and manage the side stages at the Buffalo Chip. “We’ve been working hard the last few years to achieve a consistency in the quality of the sound from stage to stage and from day to day, and what a pleasure it was to have such great sounding systems this year and to get so much positive feedback.’

Karns points to the relationship with Mackie as yet another important milestone for Sturgis. “The musicians and the technical crews have all been so happy to find out they’re playing through Mackie gear, and even people in the audience, they see the Mackie banners and so many of them know the name is synonymous with great sound. We’re really looking forward to Mackie playing an even bigger role next year – as Bogart said, I think this could be the beginning of a beautiful friendship.”

September 22, 2006

Stadium Theatre Upgrades To Professional Caliber Sound with a Mackie Onyx 4880

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A new sound reinforcement system recently implemented at the Stadium Theatre in downtown Woonsocket, Rhode Island is headed by a Mackie Onyx 4880 house mixing console.

The historic theatre, built in 1926 and eventually falling into disrepair, re-opened in 2001 as a performing arts center following years of renovation work by the all-volunteer Stadium Theatre Foundation. Since re-opening, however, sound quality within the theatre’s Grand Hall was not up to expectations, leading the foundation to seek a true professional-caliber solution.

The new system was implemented by ATR/Treehouse of nearby Providence, Rhode Island, with input and support from Stadium Theatre Tech Director Dan Peloquin.

Positioned at the house mix position on the main floor, the 48-channel Mackie Onyx 4880 console was selected for a variety of reasons. Topping the list were ease of use and plenty of channels, in addition to meeting a request for a board that delivers pro caliber sonic performance and features without breaking the budget.

Given the extreme differences in expertise on the part of its users from night to night, the console also had to be operator friendly while still meeting rider expectations. “In general, this system is very easy to operate,” notes Peloquin, adding, “and the Mackie console is just right, simple yet great sounding.”

The console accommodates productions that wish to utilize their own outboard effects and other processing gear. In this vein, the board’s ample inputs are also handy for things like expanding the number of wireless microphone systems, exemplified by a recent production where 10 extra units were rented so that every performer could be outfitted with his/her own system.

EAW was selected to provide loudspeakers, amplification and processing for the new system. Featured are left and right main clusters made up of EAW AX396 full-range loudspeakers and AX122 subwoofers providing stereo coverage, with a single AX396 also mounted centrally at the stage proscenium to provide voice/spoken word reinforcement. All loudspeakers in the system are driven by EAW Commercial CAZ Series power amplifiers, with processing supplied by an EAW MX8750 digital signal processor.

September 21, 2006

Mackie Offers a Preview of their New Flagship DJ Mixer

d.4Pro-top.jpgA peak into Mackie’s product development crystal ball was offered up at the Professional Lighting and Sound Association’s annual tradeshow in London last week.

At first glance the new d.4 is the logical follow up to the highly-successful d.2, which led Mackie’s official entry into the DJ mixer market early last year. But the d.4 is much more than simply a four channel version of it’s immensely popular sibling. In typical Mackie fashion, real-world consideration went into designing something unique here—a true centerpiece for modern electronic music production and live performance.

The d.4 Pro begins with studio-grade analog circuitry that offers up exceptional sound. On board are premium phono preamps, a pair of flagship Onyx mic preamps, plus the finest VCA and analog filter effects in its class. Also present is a 3-band EQ with complete kill filters and blue backlit knobs, flexible 4-position routing switches per channel, zone and booth outs, XLR main outs, advanced cueing with split cue functionality, individual program meters as well as stereo main out meters. All this is housed in an extremely rugged, “built-like-a-tank” steel chassis—a Mackie hallmark.

But it’s with the addition of the optional d.Pro FireWire card that the d.4 Pro’s unique functionality truly shines. Adding the FireWire option allow the d.4 to work very closely with most major software apps, adding 14x8 I/O to a Mac or PC for live scratching, and the simultaneous playback and mixing of up to 4 music files. At PLASA, the previewed d.4 was doing its magic with MixVibes via firewire. And since the d.Pro FireWire card ships with a fully copy of Mackie Tracktion, the d.4 Pro also serves as the ultimate interface for true multi-track recording.

Like the d.2 scratch mixer, the new d.4 Pro will also incorporate the revolutionary contact-free, 45 mm optical cross fader from UK-based Infinium Technologies. In addition to lasting for an exceptionally long time, the contact-free crossfader provides DJs with unparalleled fingertip control, as well as the ability to personalize its "feel" with user-adjustable tension and cut-off points.

So far so good for the d.4. It's creating quite a buzz among the DJ community since last week. Check out the forum at www.skratchworx.com to see what people are saying. Be sure to check back here from time to time for more news on the d.4 Pro and other Mackie products.
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